Chapter 1 Reflection by Halle Burke
Chapter 1:
The Evolution of Typography by Halle Burke
The first chapter of the book Typographic
Design: Form and Communication by perfectly lays out in chronological
order, from 3150 BCE to 2013, the history and evolution of typography. The
design of this chapter was well formatted, very clean, and easy to understand.
The layout of the timelines allowed me to learn about how typography has
evolved over time. (1) While reading this chapter and analyzing its typographical
images, I enjoyed looking at the very first image in comparison to the very
last image. The first picture depicts the earliest form of writing documents-
clay tablets. (2) These tablets were used as tokens for record keeping in 3150 BCE.
As I looked at the image it was pretty difficult to decipher, as what is
carved into the tablet is simply two dots and three verticals lines directly
below. What I found interesting was how even though I could not understand what
the token was depicting, it is very clear that back in 3150 BCE the people of
the time knew exactly what it meant. This tablet was created before the
invention of writing (which is one of our main forms of communication today) so
it is fascinating to think that this pattern on a piece of rock was societies
form of communication that very long time ago. Then when I looked at the most recent
piece of design in the book made in 2013, there is a poster that is “Facebook ‘arcade’
signage.” (3) It is clear that this image was created technologically as it looks
extremely animated. It is very colorful with text all throughout the sign. The
difference between the typography in 3150 BCE and the typography in 2013 is absolutely
unbelievable. To think that typographic design can change its meaning, visual appeal,
and amount of detail blows me away.
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Halle,
ReplyDeleteI think it's very interesting to compare the two examples you have chosen. On one hand, we have the earliest form of typographic design ever formed. On the other, we have one of millions of digital typographic renderings contributing the modern visual experience. Although these works seem (and are) centuries apart, they share the common thread of visual communication--the intention to communicate without sound. At its essence, this is what I envision as the purpose of typography and perhaps, design in general.